Adjunct Graduate Professor, School of Game Art and Design. Mentorship, portfolio, and real-word job curriculum course curated to ensure graduates are in top percentile ranges for employment in the AAA Game, TV, and Feature Film Industries.

- Single-handedly designed, developed, and implemented the entire Hard Surface Team pipeline, workflow, documentation, and standard operating procedure within the first year on the project. Responsible for IP’s Weapons, Vehicles, Drones, Robots, Equipment, and Prop Hard Surface Art Assets. Totaling almost a half of estimated over-all game revenue.

- Solely responsible for the creation of the IP’s MWS (Modular Weapons System). Cutting an estimated launch production estimates from eight years to two. A 600% efficiency gain.

- Worked with Engineers to develop a Houdini based MWSAT (MWS Assembly Tool). Which allowed engine and player side weapon creation, and customization to be fully automated. This included UV’s, Textures, Geometry, and any aspect of in-game Weapons.

- Developed project-wide standardization, of the IP’s Folder Structure and Naming Conventions/Nomenclature. Allowing for tools automations and exponential efficiency gain, resulting in the elimination most if not all optimization dependency issues.

- Solely created the initial Multi-Layered Material System, that then scaled to be the adopted standard for project wide material creation.

- Spear-headed the implementation of new processes to weapons art pipeline, including 3D software such as Plasticity, Blender, Fusion 360, MoI3D, with supplemental team training throughout production.

- Shipped Call of Duty: Black Ops Cold War, Call of Duty: Warzone, and Call of Duty: Vanguard during a Global Pandemic!!!

- Contributed to aspects of production process including: Implementation, OS quality bar requirements, file structure setup, and deadlines.

- Spear-headed the implementation of new processes to weapons art pipeline, including 3D software such as Blender, Fusion 360, MoI3D, and team training throughout production.

- Tasked with Weapon and equipment design changes in 3D. Alterations were pitched, implemented, and shipped.

- Demonstrated expert aptitude in next gen, hard surface modeling practices, and requirements. Utilizing Maya, Blender, and Fusion 360 further implemented quick weapon iteration into weapon production pipeline.

- Fabricated 3D solutions for a variety of weapons lacking concept support, in addition to existing weapon concepts requiring legal changes.

- Implemented numerous Weapon Blueprints in line with franchise business model requirements.

- Concepted Weapon Blueprints from scratch with only a theme in mind. Continuously met rigorous deadlines.

- Consulted on the Vehicle Team 3D scanning. Providing feedfack and perspective on standards for 3D scanning technology.

- Responsible for creating weapons, and weapon attachment assets from limited concept art, and real life reference, with little to no direction.

- Worked closely with manager and team mates maintaining an open channel of feedback when necessary.

- Provided honest and constructive feedback to team members working on additional weapons for the game.

- Autonomously completed all assigned tasks, while simultaneously maintaining delivery deadlines.

- VAD Senior 3D Hardsurface Asset Artist for STAR WARS, ObiWan TV Series (more info available on request).

- Co - VAD Lead World Builder and Asset Optimization Artist for Black Adam Feature Film.

- One of the first weapons artists to work at Certian Affinity.

- Established the Weapons Pipeline with oversight from the Character Director (Micheal Pavlovich)

- Created the first weapons texturing pipeline in Substance Painter and UE4

- Helped with early look dev of a procedural weapons generation system, utilizing Blender and Houdini